Label: SouffleContinu Records - FFLP063

Richard Pinhas率いるパリの超有名プログレッシブ/スペースロックバンドHeldonのギタリストであるAlain Bellaicheがフォーク/ロック及びSSW系の超巨大Asylum Recordsに76年に残したアヴァン・ジャズフュージョンの名盤[Sea Fluorescent]。オリジナルはかなり高値で取引される事もあるレア音源であり、過去に一度も再発された事の無いこの作品をSouffleContinuが初リイシュー。多くの実力派ゲストを招き、西海岸ファンク、叙情バラード、風通しの良い良いブルースまでを良い流れで纏めた名作アルバム。このレーベルの特徴でもある帯付きダブルジャケットのカッチリ・パッケージ。





First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra). Remastered from the master tapes. Restored artwork + 12 page booklet & Obi Strip A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in Cannes, studies at the Ecole des Beaux-Arts in Paris, his first folk concerts folk in youngsters’ houses and clubs where everyone was well behaved … Then, in 1973, he left for the States. Bellaïche would settled for around ten years, with, as a soundtrack, the two albums that he would record there. Metropolitain, which was the fruit of his collaboration with the Heldon guitarist Alain Renaud, and Sea Fluorescent.

In the catalogue of Asylum, David Geffen’s first label, Bellaïche’s music was listed alongside that of the Byrds, Tom Waits, Joni Mitchell, and Bob Dylan. In a Rock & Folk, interview Bellaïche expressed his regrets as to the prudence of French musicians: “I never had a group… perhaps the guys here are not motivated to play this kind of music”. We should note that the influences of our expatriate were, for example, Led Zeppelin, John McLaughlin, Weather Report, Herbie Hancock, The Spencer Davis Group… Bellaïche, a multi-faceted and iconoclastic musician, composed Sea Fluorescent just following his desires: from a cosmic ballad (St Andrea), to West Coast funk (California), dreamlike Spanish influences (Spanish Roots), optimistic blues (Foolin’ Myself), a solar track (I’m Angry, Sun Blues) … And the Frenchman was in good company: Jean-François Fabiano (from Fabiano Orchestra) on drums and percussions, Jerry Mahavishnu Goodman on violin on Got My Place In That Country, Wornell Jones on bass or John Hicks whose cascades of notes bring Reggae & Western closer to the ‘reassembled’ jazz that the pianist was playing at the time… When, finally, after the fabulous declinations of the title track of the album, we hear a bonus on which Bellaïche sings in French, it is time for a Chacha émotionnel on which offers this horrible confession: “I’m not from around here, I come from a backward country”. Thanks to Souffle Continu, France is finally catching up.