Label: Mode mode 295

科学と芸術と音楽の融合を追求する米アヴァン界の巨匠アルヴィン・ルシエの2016年重要作！！米Modeから4枚目のアルバムとなる本作は、イタリアの実験音楽アンサンブルAlter Egoとルシエによる古典的作品の共同演奏録音。氏の初期大名作[I Am Sitting In A Room]のイタリア・ビエンナーレで披露された2012年新バージョンや、当店大推薦のイタリアのフルート奏者Manuel Zurriaが参加した電子音と音響の干渉ドローン[Two Circles]、チェロ、ビオラ、ピアノの相互作用が流麗な流れを生む[Fideliotrio]、そしてアコースティック持続音のレイヤーが霞んだサウンドスケープと化す3パート編成の[Three Translations Of The Works Of Maurizio Mochetti]、どの楽曲からも深いコンセプトを感じる事が出来ます。

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Alvin Lucier’s (b.1931) work has been more often described in terms of science than of art and his scores often contain experimental procedures. Lucier perfectly represents the fusion of a scientist with an artist. His pieces arise from an inspection of a pure physical phenomenon.
The performers on Mode’s fourth disc of Lucier’s music are the Italian experimental music ensemble Alter Ego — two of the works were written for or dedicated to them — and Alvin Lucier himself.
This new recording of his classic I am Sitting in a Room is from the Biennale Musica 2012 in Italy. This is Lucier’s first new recording of the work since the original from 1980.
The interaction of electronic and acoustic sounds is the central point of Two Circles. These electronic sounds move from the same note in two glissandi, ascending and descending. The acoustic instruments interfere, generating beating (so-called binaural beats) from the interaction of closed frequencies. In some cases, these pulsations give the impression to expand the sonic space, whilst in others they appear to bring to an ending.
In a comparable way, Fideliotrio focuses its attention on the tonal interplays between instruments. In this case, cello, viola and piano form a steady flux: the central note of the piano designs a sort of line around which the string instruments move. When the viola and cello start to drift away from piano’s tone, one may have the impression that the sonic stream is bending and is losing its center of gravity.
Artist Mochetti’s work focuses on light, space, time; it explores the use of materials and often includes a unique conception of the geometry, made of trajectories, lines and surfaces. In the Three Translations of the Works of Maurizio Mochetti, Lucier transfers the exploration of these elements to sound as he literally designs sonic profiles, reflections and music shapes.
The booklet includes an interview with Lucier and flutist Manuel Zurria and liner notes by Riccardo Dillon Wanke and Alvin Lucier.