Label: Room40

90年代末より今尚急進的な音楽活動を展開するフィンランドのエレクトロニック・ミュージシャンにしてプロデューサーのVladislav Delay、同様に90年代から活動を続けJon HassellやDavid Sylvianら重鎮達のアルバムに参加して来たノルウェーのギタリストEivind Aarset、素晴らしい音楽性を持つ2者の共演が実現。互いの要素が複雑に絡み合う多層的な構造がメチャクチャ格好良く、流動的な即興演奏とその隙間から溢れ出る無数のパルスノイズに圧倒される事必至の高内容。凄い一枚です。クリアヴァイナル仕様。







Matte varnish, printed inner sleeve, black slip, clear vinyl

Finland’s Sasu Ripatti aka Vladislav Delay has been responsible for some of the most radically positioned rhythmic electronic music of the past few decades. His willingness to abandon measured and progression senses of repetition in favour of multi-layered unfolding pulses has become a touchstone for a new sensing of time.

In a similar way, Norwegian guitarist Eivind Aarset has reappraised the harmonic and timbral capacities of his chosen instrument, the guitar, and unlocked new perspectives on this seemingly familiar instrument. His experiments have unsurprisingly caught the ear of similarly restless artists such as Jon Hassell or David Sylvian, with whom Aarset has collaborated.

It’s little wonder then that these two musicians have gravitated towards one another on Singles. Gravity seems a fitting metaphor too, in that this record is a series of orbits, elemental materials catching onto one another and hurtling the music in directions not really expected, nor traceable. Singles is a record of dimension too, opening outward and collating, sometimes simultaneously, texture and pulse into ultraviolet sonic nebula, as ecstatic as they are enveloping.

From moments of fluid improvisation, emerge deeply morphic compositions that fold into and on top of themselves, forging an ever deepening sense of pressure and energy. At times open, reductive and spatial, this record also has moments of explosive force, an excessive spilling over that speaks to the fearlessness of these two artists. These are unbounded works, pulling ever closer towards the very edges of what is knowable, in sound.