Label: Folklore Tapes

このレーベルのタイトル、全種本気で激推しです!!英国のディープな民俗学を探究、長年に渡り広く収集されてきた歴史のイメージをアブストラクトな音楽と実験的ビジュアルで作品化する、まさにインディペンデントな活動を行っているFolklore Tapes。このレーベルがシリーズで出版をしている、イングランドのインダストリアル文化にフォーカスした"Industrial Folklore Tapes"の#4。歴史家であり歌い手でもあるJennifer Reidがランカシャーのインダストリアル・スポットを2年に渡り調査、廃墟と化した製粉所、新しく開発された土地、田園地帯が広がる谷、広い荒涼とした大地にてフィールドレコーディングしたワークソング集。車の走行音、鳥、川、人、風の音等、様々なサウンドスケープが柔らかく溶け込む非常に美しい風景。ゲートフォールドスリーヴ仕様。



-Songs sung and poems read by Jennifer Reid
-Created by Jennifer Reid, Mary Stark & David Chatton Barker
-Ten-inch record in gatefold sleeve
-Twelve page black and white machine sewn booklet
-Letterpress song sheet (first 100 copies only)
-Limited edition of 250

Songs and poems as delivered by Jennifer Reid, her of Middleton, as sings the songs and clogs the steps.

Over the course of two years Mary Stark and David Chatton Barker travelled with singer Jennifer Reid to post-industrial sites around Lancashire, documenting these sites through sound and film. They visited the ruins of mills, newly developed estates, rural dells and the open moorland. These recordings capture Jennifer's voice with the natural accompaniment of the 21st century; buses, cars, birds, streams, people, and the resonance of the the landscape ring through...

Here you can find the cultural expression of the weaver, they who toil endless hours to provide us with clothes, fancy or everyday. Spinning up the shoddy to make ends meet. Building the Tower of Babel on Brown Wardle Hill in Whit’oth during the Distress. There was a definite shift from the village to the town in nineteenth century Lancashire. People used to working on their handlooms at home were forced to go out into the factories to work at the mechanised looms, ushering in the Industrial Revolution. Industrial Manchester became “Cottonopolis”, a new urban zone that benefited from the rural, oral culture of its workers. We went up to sites of demolished mills; outside mill owners houses; and climbed inside abandoned weaving sheds in the Calder and Rossendale valleys to bring the songs home. William Holt tells us that people sang, read and even learned languages at their looms in the twentieth century, shattering every image we hold about the silence of the weaver in the shed and their lack of cultural expression. Paul Graney's song "Tuppence on the Rope" describes the lot of the tramping worker during the Means Test and what was waiting for them in the moorlands. It certainly wasn't steady, paid employment. The same type of factory workers exist now in South Asia and beyond, these dialect songs becoming more relevant in the East than the West. Think on it, and drink to them, for God's sake!