Label: Alga Marghen

アヴァン・バイオリニストとして有名な重鎮Malcolm Goldsteinが60年代に制作していたエレクトロニクス/テープコラージュのレア音源。コロンビア・プリンストン電子音楽センターでの録音物、ダンスの為のエレクトロニクス作で構成されており、氏のイメージである異端なバイオリンを含む激高内容。しかも異端電子音楽マニアを唸らせるであろう、コラージュノイズとでも言うべきド派手且つ怪しい展開ばかりの激マニアックな一枚です。限定350枚で12ページの大判グラフィックスコアが付属。

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'Alga marghen proudly presents an LP edition including some of the seminal Electronic -Tape Collage pieces by Malcolm Goldstein, created in close connection to the sulphuric New York pre-Fluxus environment of the early 1960s. The 1960's, downtown New York City, rich with activities, doors opening upon a world fertile with possibilities: the delightful unknown. Malcolm Goldstein, first working at the Columbia-Princeton Electronic Music Center, then joining the Judson Dance Theater with dancers, musicians, poets, and visual artists all interacting in the common ground of improvisation -exploration. For the Judson Dance Theater most of the music on this recording was created. Sheep Meadow (1966), a collage of two musics, folk & court music, was realized on a very cheap single tape recorder that offered its own electronic distortion embellishments. It was created for an anti-war demonstration to be held in that meadow of Central Park, with a dancer on top of a flat-bed truck and with loudspeakers. Images of Cheng Hsieh (1967) was for a dance by Carol Marcy at Judson Church,simultaneously with an instrumental ensemble performing from the calligraphic graphic score, the name Cheng Hsieh. It seemed to me (1963) was composed for a dance by Arlene Rothlein; a collage of traditional musics chosen by her to be incorporated with electronic sounds. Judson #6 Piece (1963) was for Ruth Emerson, using only electronic sounds. Finally Illuminations from Fantastic Gardens (1964), the only composition for a vocal ensemble on this recording, was composed for Elaine Summers' An Evening of Fantastic Gardens, a multi-media event of dance, music, film and visual projections, as part of the Judson Dance Theater concerts. It is the first music notated by Malcolm Goldstein with graphic renditions of the words of Rimbaud and without traditional music notation. Two performers were trained singers while the others were a visual artist and an actor; two women & two men, all in the spirit of the times, sources coming together, as art & life blended in an overflowing of exploration. Edition limited to 350 copies, also including a 12 page large booklet with the reproduction of the complete Illuminations from Fantastic Gardens graphic score.'