Label: Mode

初録音の長編2作品が音盤化!!2021年に他界した米実験音楽界の重要コンポーザーAlvin Lucier。今回、米現音の老舗Modeが出版したのはパイプオルガンの為に書かれた2作品を纏めたもの。1997年の[Sizzles]は、様々なサイズのドラムを演奏空間全体にランダムに配置、そのドラムヘッドにはレンズ豆、ひよこ豆、キャンディーなどが散りばめられ、オルガンの低音が鳴るとその振動で雑音が発生する騒音記録。2015年の[Swing Bridge]は細工を施されたパイプオルガンとアンサンブルによる共同録音で、オルガンが生み出すエネルギーと微分音のロングトーンが織りなす超濃密なハードコア持続音。ラストには12分のボーナストラックを収録。





This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier’s compositional practice.

Both are first recordings.

“Swing Bridge” was commissioned by this record’s ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as ‘pipe wavers.’

This music explores the phenomenon of the organ making its operation performative and visceral. We hear the way the energy produced by the organ ‘sounds’ the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of the room.

The organ and pipe wavers are accompanied by the ensemble who create long tones microtonally associated to the organ.

For “Sizzles” the composer writes: “Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier.”

Alvin Lucier made the final choices of the versions of “Sizzles” featured on this release.

Liner notes by Peter Knight and Alvin Lucier.