Label: SouffleContinu Records

激レア名作が初再発!!フレンチ・ジャズ・ピアニストFrancois Tusquesが中心となり1971年に結成されたIntercommunal Free Dance Music Orchestra。数種ある名盤の内の一つである78年作[L​’​Inter Communal]が、フランスの名復刻レーベルSouffleContinu Recordsより初オフィシャル再発。1976年から1978年に掛けて行われたコンサートの抜粋を集めた内容となっており、当時のフリージャズとポピュラーミュージックに存在した"社会的機能"を最も熱狂的に表現したアルバム。凄まじいです。





Carefully remastered from the master tapes by Gilles Laujol
Graphic design by Stefan Thanneur
Digipack CD

The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz.

After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wasn’t a bit of a dead end, Tusques formed the Inter Communal, an association under the banner of which the different communities of the country would come together and compose, quite simply. If at first the structure was made up of professional musicians from the jazz scene it would rapidly seek out talent in the lively world of the MPF (Musique Populaire Française).{French Popular Music, ndlt}

Compiled of extracts from concerts given between 1976 and 1978, L’Inter Communal is not the first album from the Intercommunal Free Dance Music Orchestra. But it is the one which shows with the most exuberance the “social function” which inhabited free jazz and popular music at the time. All the more so as, to head up the project, the group (made up of wind instruments: Michel Marre, Jo Maka, Adolf Winkler and Jean Méreu) called upon Spanish singer Carlos Andreu. Andreu, claimed Tusques, was a griot “who created of new genre of popular song improvised with our music, based on events going on at the time”.

L’Intercommunal can start the festivities: on “Blues pour Miguel Enriquez”, it is first Thelonious Monk who is invoked in an homage to one of the leading figures of the Chilean revolution, and a victim of Pinochet. The circumstances may be serious, the music, though, is not. The musicians light a bonfire to bring together on the same frequency France and Spain, the Americas and Africa: “L’heure est à la lutte” (the time to fight is here ndlt), is the new song offered by the l’Intercommunal Free Dance Orchestra… As if proof were needed that their music is still more than timely!