Label: Sub Rosa - SRV508

ベルギーの老舗Sub Rosaより注目のコンテンポラリー、アンビエント作品が登場！！Michael Nyman、Laurie Anderson、Carsten Nicolaiといった多くの著名作家と共演、変名Scannerとして、またGitheadのメンバーとしても知られ、1991年より音楽と並行してインスタレーション制作にも力を注いで来たRobin Rimbaud。氏がフランスのアートセンターで客員教授を務めていた時に知り合ったという、ベルギーにてアニメーション映画、彫刻家として活動するHans Op de Beeckと共同制作したミニフィルム[Staging Silence]のサントラ。遊び心もありミステリアス、そして時折憂鬱なイメージも出現するという寂れた風景の為の音楽であり、まさにその通りの内省&叙情的な美しいミニマルな楽曲が続いていきます。大推薦。

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Introspective and lyrical, Staging Silence offers us a world of mystery and intrigue, held together by nature and time. The meeting of UK musician Robin Rimbaud (Scanner) and visual Belgian artist Hans Op de Beeck.

British artist Robin Rimbaud (Scanner) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Wayne McGregor, Mike Kelley, Carsten Nicolai, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.

Rimbaud first met Belgian artist Hans Op de Beeck at Le Fresnoy Studio national des Arts Contemporains when they were both Visiting Professors in 2012. Op de Beeck lives and works in Brussels, Belgium and creates sculpture, installations, video, photography, animated films, drawing, painting, and writing. His various works show the viewer non-existent, but identifiable places, moments and characters that appear to have been taken from everyday life.

The artists found an immediate creative connection, and a year after meeting Staging Silence (2) was completed. In 2019, they returned to the theme and created Staging Silence (3).
Each of the films is realised through the same principles, as two pairs of anonymous hands construct and deconstruct fictional interiors and landscapes on a mini film set of just three-square metres in size. The films take the viewer on a visual journey through depopulated, enigmatic and often melancholic, but nonetheless playful, small-scaled places, which are built up and taken down before the eye of the camera.
Ranging from hyper-realistic fictional land and cityscapes to absurd, almost surreal, dreamscapes, the various locations are connected by the sense of mystery and melancholy that pervades them. And at every moment Rimbaud's score is amplifying and illustrating these moments, from tragedy to nostalgia, witty to optimistic.
Introspective and lyrical, Staging Silence offers us a world of mystery and intrigue, held together by nature and time. This is a very humane works experienced at a time when many of us feel disconnected from the world around us. The peculiar silence that permeates this hauntingly beautiful work is very much an illustration of our times, anticipating a future in thepast.
Staging Silence is an exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.