Label: Re:Voir

映像、サウンドのクオリティ共に凄まじい内容です。。。1946年ドイツはミュールハイム・アン・デア・ルール出身、フィルムメーカー以外にも画家や写真家として活動、中でも実験映画の分野於いて名を馳せた女性作家のDore O.。1968年~1976年までに製作された6本のフィルムを纏めた貴重なアーカイヴ集がRe:Voirより登場！！アメリカ前衛映画のスタイルを取り入れつつ、パーソナルな視点より風景、建築、人間の感情を不穏なサウンドと共に先鋭的ビジョンで表現した傑作。まさにドイツの前衛映画の質の高さを証明する一本。大推薦。



Being located in the “antechamber of language, even of consciousness,” her newly restored films occupy a state of in-betweenness that cannot be easily interpreted nor approached verbally. Their associative stream of images and sounds acts as a deliberation on their sensuality. In a dream-like density and strange suspension of time, O.’s films induce a heightened sense of perception between hypnosis and clarity
-Masha Matzke

O.’s work is often noted by contemporary critics to resemble the American avant-garde film of the period. And this is precisely the point. Her films are not simply derivative of Maya Deren or Stan Brakhage. Instead, by recalling these works, they cause an inner disturbance. O. uses a method of allusion to American avant-garde lyrical film styles, a cinema traditionally invested in the objectification of a first-person vision, while now speaking from a West German subject position. A shifting double exposure results, at once evoking connotations of a cultural past, the present of the films’ making, as well as our own era – a positioning that reveals as much as it hides.
-Vera Dika

Dore O. has become classic, and suddenly it turns out that her work has passed the various currents of time unharmed: the time of the cooperative union, the women's film, the structuralists and grammarians, the teachers of new ways of seeing... It's time to proclaim loudly that Dore O.’s work is unique in German avant-garde film.
-Dietrich Kuhlbrod

FILMS
ALASKA 1968, 18min
LAWALE 1969, 30min
KALDALON 1970-71, 44min
BLONDE BARBAREI 1972, 25min
KASKARA 1974, 21min
FROZEN FLASHES 1976, 30min (silent)