Label: Folklore Tapes

やはりここの録音ブツは素晴らしい、当店激推しレーベル英Folklore Tapes!!英国のディープな民俗学を探究、長年に渡り広く収集されてきた歴史のイメージをアブストラクトな音楽と実験的ビジュアルで作品化する、まさにインディペンデントな活動を行っているFolklore Tapes。本作はマンチェスターのワードル村とイギリスのランカシャーのウィットワース町の間の丘"ブラウンワードル"の歴史の調査記録。丘とその周囲の湿原を歩き調査、なんとその流れから出会ったという地元のブラスバンド"Whitworth and Healey Vale Brass Band"に演奏を依頼〜野外環境で録音を敢行したもの。鳥のさえずり、泉から流れる水、石だらけの遺跡を通り抜ける風、現地の音風景と共に爽快な演奏が突き抜ける超傑作。PVCスリーヴ仕様、ハンドメイドのジャケットも非常に良い。



Eleven compositions for Brass Band by David Chatton Barker (plus one by Sam McLoughlin & Mary Stark), drawing from the rich lore and legend of Brown Wardle Hill in the Vale of Whitworth, Rossendale, Lancashire. Played by an ensemble of six musicians from The Whitworth and Healey Vale Brass Band.

Side A
I. The Doctor
II. The Foundling (Daisy)
III. Limers Gate (Ailse O’Fussers)
IV. Treacle Sanderson
V. The Famine Tower
VI. The Lady of the Barrow

Side B
I. The Queen of the Well
II. Mother Redcap
III. The Baum Rabbit
IV. Fell Ponnies & Rowan Cairn
V. The Haunting of Intack Farm

Brown Wardle Hill stands as an imposing yet noble hill on the South Pennine Moors of Whitworth, Rossendale, Lancashire. Regarded as a site of prehistoric importance due to the overwhelming amount of mesolithic flint scatterings discovered during the early 20th century, the hill also boasts an incredible amount of lore and legend.

In 2019 David spent a year walking and researching into the hill and its surrounding moors, the material gathered formed a series of performances, sculptures and interventions, culminating in the book 'Lorelines'. David discovered the local brass Whitworth and Healey Vale Brass Band and forged a creative partnership including recordings for Folklore Tapes editions 'The Queen of the Well' and 'Mother Redcap' (both feature on this release). The lore and legend David discovered, sprang from several sources of antiquity, most notably the 'little red book'; 'The Vale of Whitworth, Its Moorlands, Favourite Nooks, Green Lanes, Scenery' by local historian William Robertson and another rambler of the vale known as Maxim, who walked the moors, held historic seminars and fastidiously collected newspaper clippings of local events, archaeology and topography.

The compositions cover a breadth of history, sites and characters including; The Famine Tower; a 40 ft stone folly built by out of work mill operatives during the cotton famine | The Lady of the Barrow; a neolithic lady whose burnt remains and personal items were discovered in a burial chamber | Intack Farm; once known as the most haunted house in the north of England | The Baum Rabbit; a white rabbit who works alongside a fairy queen to bring about a cure to the black plague | Treacle Sanderson; once the fastest fell runner in England | The Queen of the Well; a water naiad who lures hapless victims into her watery domain.

Further embedding the music in the landscape is the subtle weaving of field recordings captured at several of the locations; bird song, wind through rushes, water from a spring and wind through stoney ruins, all evoke a sense of place through a cinematic sonic lens.

The album also marks a personal end of a chapter for David who lived in the Vale of Whitworth for six years, just on the edge of the moors, in the shadow of Brown Wardle Hill itself.

The compositions were all recorded on the second take in the rehearsal room at the brass band club in Whitworth, by six players from the band. The songs were captured on 4-track tape and digital by Sam McLoughlin.

The compositions were transcribed for brass band by Sam Milton