Label: Ina-Grm

超久々となる単独名義初出音源集!!GRMの初期から関わり、その後のIna-GRMでは最高責任者を努め、そして当時の電子音楽界に対する最大の貢献"立体音響装置アクースモニウム"の開発で知られるフランスの重鎮作曲家フランソワ・ベイル。完全ソロ名義の新録としては恐らく20年振り？位になると思われる、2015年から2019年に掛けて作曲された大作[Le Projet Ouir]が総本山Ina-Grmより出版!!多くの説明は不要、今尚衰える事の無いバチバチに研ぎ澄まされた手法が全開の超高内容であり、ひたすらその秀逸な構造に圧倒される62分間。フランス/英語の24ページブックレットが付属。

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Digipack CD including a 24-page booklet in French and English. INA grm is pleased to present Le Projet « Ouïr » by François Bayle, a 62’ minute piece composed between 2015 and 2019, published for the first time on CD digipak. The French language can hear (entendre), listen (écouter), grasp (comprendre). “Comprendre” aims too far. What is grasped has already been digested by the mind, away from the ear. “Entendre” is poorly distinguished from it—mainly because of “en- tendement”, which is virtually the same as “raison” (reason). That leaves us with “écouter”: the only one amongst the three that exclusively refers to the ear. Whoever listens stretches out his or her ear and expects to hear something and understand its ins and outs. However, this is still too nice, too urban. The idea is to break out of these customary dimensions and enter more dif- ficult and risky territories. This is the “Ouïr” Project (Le Projet « Ouïr »).

This archaic verb, which is now obsolete and that we can’t conjugate properly anymore, invites us to exercise a proto-liste- ning, awkward, uncomfortable and unsure of its aims—yet with the promise of new horizons.