Label: Futura Resistenza

サウンドアーティストのTeresa Cosが制作した、アメリカの臨床腫瘍学者デイビット・A・カルノフスキーの「カルノフスキー指数」を用いた面白実験演奏。1948年に初めて報告された身体機能の評価指標のひとつであり、患者が日常生活でどの程度活動能力があるかを0〜100％までの11段階に分類したもの。本作はこれをスコアとして用い4トラックのループレコーダーとギターで演奏を実行、結果シンプル且つ静謐な音作品を導き出した非常に面白い例。ジャケットにはそのスコアの一部が使用されています。







‘Karnofsky’s Score’ is the imagined soundtrack of a film yet to exist and of lives dealing with existence itself. Inspired by the Karnofsky Performance Scale, a scoring system widely used in medical oncology where 100 equals ‘normal’ and 0 equals ‘dead’, artist Teresa Cos undertakes a journey where numbers are shuffled and time is stretched. Part of a body of work that includes visual scores and a forthcoming film sharing the album’s narration, ‘Karnofsky’s Score’ may indeed be guided by the ghost of David A. Karnofsky himself, the pioneer oncologist of the 1950s and 60s who had earlier conducted experiments with the US Army Chemical Warfare Service. He died of cancer aged 55, becoming subject to the system he created.

Recorded and mixed while on artist residencies across Europe, the album is built from a composition of guitar improvisations running through a four-track looping recorder, delay, and pitch-shifting pedals, with additional harmonica on the last twin tracks. The left/right monitoring that persists throughout the composition echoes a wavering between the extreme poles of the 0/100 scale, but is contradicted by a whole palette of emotions, at times scattered, at times doomed, at times joyfully playful. Minimal and lyrical, the atmosphere is haunting, occasionally eerie.

Nothing lasts too long. The play of ‘Karnofsky’s Score’ is in the interval between two octaves in music, the extremes of a scale which in the abstraction of western notation run upwards and downwards to infinity, in reality until the limits of embodied perception are met.