Label: Temporary Residence Limited

多くの説明は不要、数多くのアンビエント/ミニマルの名作を残すWilliam Basinski。Temporary Residence Limitedより出版した2024年タイトル[September 23rd]。1970年代半ばの高校時代に作曲したというピアノ曲をベースに構築した作品であり、ピアノの上に置いた小さなポータブル・カセットデッキで録音、ジョン・ジョルノやウィリアム・S・バロウズのカットアップ・テクニックや、ループ及びフィードバックを導入し仕上げた、美しいササクレに包まれた82年の長編録音。



Built from a piano piece that Basinski composed in high school in the mid-1970s, September 23rd quickly evolved into a vastly different work. As Basinski explains: “The original piano recordings were made on on a piano belonging to my downstairs neighbor, John Epperson – later known more famously as world-renowned drag artist, Lypsinka – at 351 Jay Street aka Casa Degli Artisti, our first loft in New York. It was recorded with a little portable (probably Radio Shack) cassette deck sitting on the piano as I improvised a piece I had been working on since high school. It was pretty terrible, but when I did the John Giorno/William Burroughs cut-up technique, suddenly I had something to put through the Frippertronics loop and feedback loop tape delay system – and boy did I get results. A very prolific time for a young, wacked-out queen in NYC.”

William Basinski’s musical career spans nearly five decades, and has harnessed an uncanny gift for taking empathetic works of great melancholy and crafting tragic worlds of abyssal depth. The discovery of September 23rd provides a beguiling bit of luminescence to Basinski’s provenance and expanding historical legacy.