Label: Creel Pone
オリジナルはオーストリアはウィーンの巨大クラシック音楽出版社Universal Editionが1969~1975年に掛けて出版、計60巻以上が制作された"サウンドジャーナル・シリーズ"よりCreel Poneが4作品を厳選しラインナップに追加!! プロのクラシック・ミュージシャンと学生達が混ざった面白い演奏記録となっており、非常に革新的な電子及び実験音楽、またインプロヴィゼーションの要素も確認出来る幅広いセレクトが魅力な編成となっています。
May 2024; ages in the works, the C.P. P.T.B. are extremely glad to finally present this single-disc replica-edition collecting the four relevant/salient singles as issued amidst the 60-odd volumes of the Austrian "Rote Reihe" ("Red Row") journal-series between 1969 & 1975, featuring an eye-opening assortment of quite transgressive Electronic, Experimental, & Improvised Music all framed as educational in nature (and mostly performed by/with a mix of professional "Classical" musicians & school-age children).
Appearing here in order: Gruppe Lilli Friedemann's "Kollektivimprovisation" (UE 20007; "Collective Improvisation" - gorgeous spectral burn-in leading into acoustic emulations of Electronic timbres, keening pointillist percussion & some rather surprising applications of extended techniques), Gertrud Meyer-Denkmann's "Klangexperimente Und Gestaltungsversuche Mit Kindern" (UE 20011; "Sound Experiments and Sound Design Attempts with Children" - group-mind reckless abandon that wouldn't be out of place on an FMP side, plenty of subtle tape/speed alterations and almost speaking-in-tongues / divine-intervention level impulsive vocalisations), Rudolf E. Hagen's "Elektronische Musik in der Schule" (UE 20044; "Electronic Music at School" - a side of J.C. Risset-esque tone-combination demonstrations followed by a wallop of a side of Eimert-esque full-range Tape-Studio masterpieces), & finally Lilli Friedemann's "Einstiege In Neue Klangbereiche Durch Gruppenimprovisation" (UE 20050; "Entry into New Sound Areas through Group Improvisation" - flowing multi-metric percussion workouts cut with Sound Poetry & minimal, almost imperceptible disturbances).
Clocking just shy of an hour, this is an incredible array of abstractionisms by a trio of figures of which these are their only releases!