Label: Gruenrekorder - Gruen192

2018年8月4日、ドイツの都市カールスルーエの3つの場所で同時に行われた、サウンドアーティスト、ノイズ、フィールドレコーディスト達による様々なパフォーマンスをアートセンターZKMに転送、それらを同時に流し続け記録した62分ノンストップの混沌レコーディング。参加メンバーがGruenrekorder系という事もあり、とにかくそれぞれの構築が非常に上手い。そしてその絶妙な混沌具合からはナイトメアな要素も感じられ、サウンドアート、フィールドレコーディングだけでなく、ノイズファンにも全然いけてしまう激高内容です。エンボス加工 + マップをプリントしたパッケージがまたカッコイイ。



As part of the 20th KAMUNA (Karlsruhe Museum Night), so-called ›in-situ perfor- mances‹ took place at three locations in Karlsruhe on August 4, 2018:

The project room ßpace, the artist-run space Halo ARS and the pedestrian zone Kaiserstraße were connected to the ZKM via an outgoing audio data stream.

At ßpace, sound artist Lasse-Marc Riek condensed naturalistic field recordings, noise and soundscape recordings into a sonic live collage.

The live electronic duo Lintu + Røyk per- formed with modular synthesizers and broadcasted live electronica from Halo ARS in Karlsruhe’s Oststadt.

The members of KITeratur presented their participative performance ›SYNONiMUS‹ in the pedestrian zone in the Kaiserstraße, while the No Input Ensemble performed in the subspace under ZKM’s blue Cube. At ZKM, all incoming signals were fanned out in a kaleidoscopic manner and pro- cessed artistically in a multi-room sound installation by Yannick Hofmann, Marco Kempf, Benjamin Miller, Barbara Nerness, Sebastian Schottke and Dan Wilcox in the Cube, in the Cube vestibule and in the underground car park at ZKM.

This audio recording was made in the ZKM Cube, where the KAMUNA visitors could determine the sound mixing of the audio data streams via an interactive interface specially developed for this project and experiment with the sound material using a battery of interconnected sound aliena- tors and effect pedals.

Riek’s naturalistic soundscape recordings and field recordings, Lintus + Røyk’s syn- thesized electronic sounds, the voices of the participative speech performance of the university group KITeratur as well as the ethereal sound and feedback noises choreographed by the No Input Ensemble condense proportionally into this 60-minute experimental audio piece, whose tonal quality ultimately oscillates between Ambient, Drone and Musique concrète.

›Next City Sounds: Interfaces‹ took place as part of the EU project ›Interfaces‹ (EU funding programme ›Creative Europe‹) on the occasion of the Karlsruhe Museum Night 2018.