Label: Re:Voir
1952年パリ出身、映画/映像作家のみならず、写真家、パフォーマンスアーティスト、ライター、キュレーターとしても活動、既に30年以上に及ぶキャリアを持ち国際的にも高い評価を得ている作家Christian Lebrat。氏の1976年~1985年までの9作を纏めたショートフィルム・ワークスがRe:Voirよりリリース。非常にクール且つ感覚的に入り込めるものが多く、ダラダラと流して観ているだけでも凄い高揚感に包まれる秀逸過ぎる作品群。
CHRISTIAN LEBRAT - VIBRATIONS
FILM NUMÉRO DEUX (1976) * COULEURS DÉLICIEUSES SUR FOND BLEU (1976) * ORGANISATION I (1977) * LIMINAL MINIMAL I ET II (1977) * RÉSEAUX (1978) * TRAMA (1978-1980) * AUTOPORTRAIT AU DISPOSITIF (1981) * HOLON (1981-1982) * LE MOTEUR DE L'ACTION (A.M.D.) (1985)
Christian Lebrat, born in 1952 in Paris, is an internationally acclaimed artist with a career spanning over 30 years. He is a filmmaker, video artist, performance artist and photographer, as well as a publisher, curator and writer.
Christian Lebrat has created over twenty experimental films, videos, and film performances, along with a formidable body of photographic work, with a career spanning over 30 years. In the last ten years he has had over a dozen major international retrospectives of his films. He began working in photography in 1978 and has been exhibiting regularly since 1982. His works are in several public collections, such as: National Museum of Modern Art (Centre Pompidou Paris), FRAC Champagne-Ardenne, Forum des Images (Paris), Les archives du film expérimental d’Avignon, Bibliothèque nationale de France (Paris), National Center of Contemporary Art (Moscow).
In 1985 he founded Paris Expérimental (http://paris-experimental.asso.fr), a publishing company entirely devoted to publishing theoretical and historical texts on avant-garde and experimental cinema. He has published several essential books on the subject and edited the monumental anthology on French avant-garde film, Jeune, Dure et Pure! Une histoire du cinéma d’avant-garde et experimental en France (2001). He has also published a collection of essays and lectures on his own films (Between images, Paris Expérimental, 1997) and a compilation of his texts (Radical cinema, Paris Expérimental, 2008). As a curator he has also organized several retrospectives, amongst them Jeune, dure et pure! Une histoire du cinéma d’avant-garde et expérimental en France (Cinémathèque française, Paris, 2001), Le Cinéma visionnaire: l’avant-garde américaine (Paris and Rome, 2002), and Maurice Lemaître et le cinéma (Paris, 2005).
His most recent recognition include: 2007 Prize of the MoCCA (Museum of Contemporary Cinema, in Madrid) for Ultra, film performance for 2 x 16 mm projectors and loops. His video V1 (Vortex) has been acquired in 2008 by the Fonds National d’Art Contemporain (French public collection) and most recently his “historical” film Organisation I and performance Liminal Minimal have joined the Centre Pompidou Collection.