Label: Ultra Eczema - UE89

1960年代から地元アントワープのバンドにギター／ハーモニカ担当で参加、その後、金属／弦／羽／ボウルで形成された自作のサウンド・スカルプチャー奏者となったGeorge Toet Smitsによる発掘録音。手掛けたのはお馴染みベルギーの異端レーベルUltra Eczema。録音は全て1981年のもので、ザラザラと地を這う持続音〜リズミカルな反復までを繰り返すオブスキュアなメタリックノイズ作。音響装置の写真／インタビューによる2枚のインサート、片面に本人の顔がシルクスクリーンプリンされた特殊ヴァイナルにて限定200。アート系マニアはマスト。(こちらは片面LPです)

>>SAMPLE<<

Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO.
George Toet Smits started out playing mouth organ and guitar in Ferre Grignard's band in the 1960's, he was also a vibrant part of the Ercola collective in Antwerp, where he co-published "Spruit", a comic/fanzine or "mannekesblad" full of psychedelic insanity, has always been connected to Radio Centraal where he did the incredible "zbolk night radio" , a show weekly remixing his own music, both electronic and recordings of his sound sculptures. he silkscreened under the "mafprint" moniker, was losely connected to the "vacuum" artist space, played in the "Cash? Cash!" film by Paul Collet and started building his own string/isomo instruments after finding a surfboard on a beach...his one sider is a recording of the long string installations he build for his first exhibtion at ICC in antwerp, it is a archival recording from 1981. metals, strings, feathers and springs amplified by isomo creating a weird psychedelic ball of confusion.
this edition includes an insert with photo's from the man's archive, a silkscreen on the b side and a interview that patrick vandenberghe did in early spring 1997, a few months before the illness was diagnosed that sadly took his life. limited to only 200 copies!" UE